Thought for the summer:


"I think you thought there was no such place for you, and perhaps there was none then, and perhaps there is none now; but we will have to make it, we who want an end to suffering, who want to change the laws of history, if we are not to give ourselves away."

-- Adrienne Rich

Showing posts with label transgender. Show all posts
Showing posts with label transgender. Show all posts

Monday, August 4, 2014

The question of woman (and lesbian).


I want to keep the discussion we ten lesbians held this afternoon at Boulder's new Lesbian HERstory C.R. group private, so I'll just share this general observation:  a lesbian-only space contains a different energy, its own power, its own cocoon of safety.  Except for Indigo Girls concerts and bars like Seattle's Wild Rose, I've never actually been in a lesbian-only space until today, and I still feel emotional about the experience.  In the past three years, I've been lonely so much of the time, and today I felt entirely connected.  Heard.  Understood.

My brother-in-law, who, other than my former husband, is the kindest man I know, asked me a couple of weeks ago why I wanted to organize a lesbian-only event.  I stuttered through an inadequate answer.  Tonight, I can explain clearly:  because even in a world that increases its acceptance of lesbians every day, we need space to be with just each other.  We breathe differently there.

Insisting on lesbian-only or women-only space hasn't always been a popular approach, as I've just read in Michelle Goldberg's essay "What is a Woman?" in this week's New Yorker (August 4, 2014).  Goldberg's summary and analysis of the battle that has raged since the 1970s between radical feminists and transgendered male-to-female people includes decades of challenge to women-only space.  Goldberg focuses on the Michigan Womyn's Fest, which has been severely criticized by the transgendered community because it admits only "womyn-born womyn".  Musical groups like the Indigo Girls have announced boycotts of the event until it becomes trans-inclusive.  Women (womyn) on the other side of the debate have argued they simply need a women-only space for awhile, to feel safe and unencumbered by societal oppression.  The trans community has reacted with anger to that, saying it implies trans male-to-female people are unsafe.  Consider, too:  in the summer of 2010, some of the people at the protest camp Camp Trans committed acts of vandalism that included the spray-painting of a six-foot penis and the words "Real Women Have Dicks" on the side of a kitchen tent (Goldberg 28).  That kind of violence is of a specific kind, and it is counter to what the majority of male-to-female people argue they want:  inclusion into the safety of women-only places.

In the weeks before today's C.R. group (and before I read Goldberg's article), two trans male-to-female people emailed me to ask if they could sign up for the lesbian HERstory group.  My answer:  yes!  If they identity as lesbians, they're welcome in the group.  To say otherwise -- to say, as some radical feminists do (Goldberg mentions Sheila Jeffrey), that a person who is biologically male still benefits from our society's male privilege and so cannot participate in meaningful feminist dialogue -- is to imitate what has so often been done to us as lesbians.  I think trans people in lesbian spaces deepen the kinds of conversation we can have.  Return to what Monique Wittig said in the early 1980s:  "I am not a woman, I am a lesbian."  If someone genuinely identifies as lesbian, we must open our arms and pull them in.  If we do not, we'll repeat the 1950s rejection of the butch lesbian, the 1960s separation from working women and women of color.

But what if a man emailed me to ask if he could join our lesbian-only group?  Our space today would have felt entirely different.  We wouldn't have talked the way we did.  In an era in which we are encouraged to include everyone so we offend no one, we lesbians still desperately need spaces where we can just be with other lesbians -- not with the bar scene pressure to date, but with a C.R. group ability to comfort, inspire and empower.

In "21 Love Poems," Adrienne Rich wrote, "No one has imagined us."  No one, that is, but each other.  I can think of no better reason to gather, just for awhile, in the same room with each other.

Wednesday, July 9, 2014

Orange is the New. . . Lesbian?

After I write my 1500 words tonight, I plan to turn on episode 6 of the second season of "Orange is the New Black," that show everyone's watching from Netflix.  I can't imagine you don't know the story (especially if you found my blog because you searched for something "lesbian"), but the short summary is this:  Piper Chapman, a white, prudish, WASPy woman engaged to be married to a man is convicted of drug smuggling nine years earlier -- a crime she committed with and for her lesbian girlfriend, Alex Vause.  Each episode of "Orange" follows Piper through the corrupt and complex system of a maximum-security women's prison.  The show also investigates the stories of other women prisoners, and it holds court on many issues within the culture of a women's prison.

"Orange" also investigates many seldom discussed issues within lesbian culture.  When Piper discovers Alex is in the same prison, the passion she feels for her rekindles (after her anger and hurt fade).  Does this mean Piper was always lesbian, and that her feelings for her fiance, Larry, are false?  Or is it only Alex the person that Piper loves, not all women?  In its list of the show's characters, Wikipedia calls Piper "a bisexual woman," but is she?  Or has society forced her into compulsory heterosexuality?

Sophia Burset, a transgendered woman in prison for credit card fraud, raises questions about what defines a woman.  Formerly a male firefighter, Sophia is easily the most stylish and well-mannered woman in the prison.

Carrie "Big Boo" Black is the "diesel dyke," the butch lesbian who takes pride in her identity as a tough woman with aggressive needs.  Feminism has often wanted to dismiss the butch/femme dichotomy as mimicking patriarchy, but butch women like Big Boo argue that it's a valid identity on its own.

Suzanne "Crazy Eyes" Warren is a lesbian who struggles with mental illness, another issue that is often kept hush-hush in the lesbian community.  She developed an obsession with Piper in Season 1, which introduced some interesting discussion about race and lesbian relationships, too.

Nicky Nichols is a lesbian and a former drug addict, who has been in a relationship with other women in the prison (and competes with Big Boo at one point to see who can get the most women to orgasm).  Her high sex drive and flirtiness challenge the stereotype of the asexual aging lesbian.

Poussey Washington is a comfortably out lesbian who has struggled with acceptance in the greater world (her father, a major in the U.S. Army, was transferred out of Germany because Poussey had a relationship with the base commander's daughter).  She's in love with Tastee, her best friend in prison, though Tastee is adamant about her heterosexuality.

What else?  Mr. Healy, the prison supervisor, is homophobic.  His opinion (and protection of) Piper changes entirely when he suspects her of being lesbian.  Some of the inmates are homophobic for some reason or another, like Pensatuckey's religion, or Miss Claudette's cultural upbringing.  Piper's fiance Larry (and Piper's mother) seem to hold Piper's lesbianism at nearly the same level of criminality as her involvement in a drug ring.  The point:  "Orange" is bringing lesbian culture into the spotlight for the greater world.

Then. . . why do I feel vaguely uncomfortable about my love of the show?  Because one day, in a conversation with another lesbian, I realized that almost everyone -- lesbians included -- has seen "Orange," but few people have read Jeanette Winterson or watched great lesbian films like "Tipping the Velvet" or "Aimee and Jaguar".  "Orange" and Ellen are becoming all people know of lesbians.  We're forgetting Adrienne Rich, Joan Nestle, Virginia Woolf, Mary Oliver, Audre Lorde.  Culturally, we spend more time thinking about how lesbians interact in prison than how lesbians interact in the greater world.  Yikes.

At the top of my flier for the lesbian CR group I'm trying to start in Boulder, I wrote "'Orange is the New Black' isn't all of who we are."

Even though I love "Orange," it's crucial to remember the rest of what being a lesbian means. . .