Thought for the summer:


"I think you thought there was no such place for you, and perhaps there was none then, and perhaps there is none now; but we will have to make it, we who want an end to suffering, who want to change the laws of history, if we are not to give ourselves away."

-- Adrienne Rich

Showing posts with label poet. Show all posts
Showing posts with label poet. Show all posts

Monday, June 29, 2015

We are the change we've been waiting for.

A little "art" I created in a Naropa class last week:  Anna
Dickinson, the 19th century Quaker abolitionist and
orator (and lesbian) observing 9-year-old (lesbian) me.
While Facebook friends and my classmates and professors at Naropa's Summer Writing Program celebrated the SCOTUS marriage-equality decision last Friday, I struggled with anger.  What were we celebrating, really?  The Supreme Court's decision that my fiancé and I deserve basic human rights?  I thought about the 1954 Brown versus Board of Education decision, and wondered if African American families felt celebratory or exhausted and angry when it was announced.  Of course my child should get to attend school with your child.  It's about time.  Or the 1919 passing of the 19th Amendment, which enfranchised women in the United States 143 years after Abigail Adams pleaded with her husband John to "remember the ladies" as he helped write the text of the U.S. Constitution.  I've seen the photographs of women celebrating the amendment, victoriously holding their placards aloft.  But surely they felt anger, too.  One hundred and forty-three years?   The fight was painful, vitriolic.  Opponents hurled insults at the suffragettes:  she's really a man, she neglects her children, she's a Sapphist. Many suffragettes did not live to see their dream of the vote realized.  When justice takes so long, how can we forgive the time frame and just celebrate?

I carried these brooding thoughts with me to a table at the Naropa Café, where my poet-friend Val was gesturing for me to join her.  Val is much older than I am:  short gray hair, life-worn, a poet shaman who wears bright scarves, believes her dreams, and talks openly of a difficult past she barely survived.  We're connected because we're both writers and we're both lesbians.

"I can't shake this anger I'm feeling today," I told her.  My bones felt heavy.  I told Val what I'd been thinking about Brown and Abigail and celebrations, and she nodded, agreeing, but I caught the glint of loving amusement in her eyes.  And suddenly, I heard how young I sounded.  I came out as a lesbian at age 28, in 2005, after famous people like Ellen had begun to come out (1997), after the last sodomy law was overturned in Texas (2003), after Massachusetts legalized same-sex marriage (2004).  I was born eight years after the Stonewall Riots (1969).  And I didn't feel like celebrating?  In the middle of my own sentence, I burst out laughing.

Val grinned.  "The world is changing," she said.  "It's our work to be midwives to all this change.  We've got to celebrate.  It's our work."

It's our work.  I celebrated the rest of the day without hesitation, cheering with all the rest when Anne Waldeman introduced our Friday colloquium with a joyful fist in the air and a "How about that Supreme Court decision?" I checked Facebook more often than usual, and felt only glad to see all the rainbows.  Meredith texted from the World Series of Poker in Vegas:  "Because of the Supreme Court decision today, I've already won!"  Determined to be a midwife for all this change, whenever it arrives, a friend and I toasted Justices Kennedy, Ginsburg, Sotomayor, Kagan and Breyer at dinner that night.  What does anger accomplish?  The change is happening.  People who struggled with police at Stonewall never thought they'd see this day.

This morning, I sit outside on the front porch with my coffee, the sprinklers nourishing the new plants in our garden, and contemplate change in my own life.  In four years, Mitike and I have moved three times:  Juneau to Fort Collins, Fort Collins to Boulder, and now to Denver. Four years ago, Ali died.  Only two years ago, I emerged from living all the time inside grief.  And now, in this past year and a half, as if something in me was finally prepared to midwife good, life-giving change:  I met Meredith, I got a few pieces published, I earned an MFA, I found a good high school English job, and I got engaged.  When the assistant principal at South High asked me why I was moving to Denver, I told her I was moving in with my fiancé, and that she lives just a few miles from the school.  It wasn't long ago that it was dangerous for a teacher to come out to an administrator.  The assistant principal just smiled and said, "Congratulations!  Will the kids have to get used to you having a new last name next year, then?"

This morning, I feel only joy.  Yes, these changes that seem obvious take too long.  Yes, we have a long way to go in this country to craft a safe and equal world for people of all races, backgrounds, sexual orientation, etc.  But this morning, I'm watching the sun glint off the droplets of water on my new yarrow and coneflower plants.  In a year, I'm hoping these plants fill this garden, but they're still new.  They're waiting for the soil to be right for their roots, for the sun and rain to nourish them just enough.  Then they'll grow tall and full.  For now, I'll stand nearby and write, a midwife for all this good change.


Sunday, August 3, 2014

Writers every lesbian should read (a list).

I don't know why I've listed lesbian movies on this blog and not lesbian poetry, lesbian essays, lesbian novels.  I'll remedy that here with a list. . . please comment to add the ones I've forgotten!


Writers every lesbian should read (an incomplete list):

HERstory
Lillian Faderman (especially Surpassing the Love of Men, To Believe in Women, and Odd Girls and Twilight Lovers)
The journal Sinister Wisdom (every lesbian should subscribe!)

Rebecca Brown (especially Gifts of the Body and American Romances)
Audre Lorde (especially The Uses of the Erotic)
Adrienne Rich (especially On Lies, Secrets and Silence)
Minnie Bruce Pratt (Rebellion:  Essays 1980-1991)
Mab Segrest (My Mama's Dead Squirrel:  Lesbian Essays on Southern Culture)
Barrie Jean Borich (My Lesbian Husband:  Essays)
Dorothy Allison (Skin:  Talking about Sex, Class and Literature)
Joan Nestle (A Restricted Country)
Sarah Schulman (My American History:  Lesbian and Gay Life During the Reagan/Bush Years)

Novelists
Jeanette Winterson (especially Written on the Body, The Passion, The Powerbook, Stone Gods, Gut Symmetries)
Aimee and Jaguar, by Erica Fisher
Sarah Waters (especially Tipping the Velvet and Fingersmith)
Virginia Woolf (especially Orlando)
Shamim Sarif (especially The World Unseen and all the movies she makes)
Rebecca Brown (especially Terrible Girls and Annie Oakley's Girl)

Classics you should probably read
Patience and Sarah, by Isabel Miller
The Price of Salt, by Patricia Highsmith
The Well of Loneliness, by Radclyffe Hall (had to list it)
Rubyfruit Jungle, by Rita Mae Brown
Annie on my Mind, by Nancy Garden
lesbian pulp fiction of the 1950s (it's so entertaining)
correspondence between lesbians from history

YA books
If You Could Be Mine, by Sara Farizan
Tea, by Stacey D'Erasmo
Kissing Kate, by Lauren Myracle
The Beginning of Us, by Sarah Brooks

Memoirs
Why Be Happy When You Can't Be Normal? by Jeanette Winterson
Bastard out of Carolina by Dorothy Allison
Zami, by Audre Lorde
Stone Butch Blues, by Leslie Feinberg

Poets
Adrienne Rich
Audre Lorde
Mary Oliver
Eileen Myles
June Jordan
Margaret Randall
Marilyn Hacker
Akeilah Oliver
Robin Becker
Olga Broumas
Judy Grahn
Emily Dickinson (?)

Tuesday, July 22, 2014

Reaching for the Moon

I just watched the film "Reaching for the Moon" (2013), an important and beautifully constructed story about the poet Elizabeth Bishop and her fifteen-year relationship with the Brazilian architect Lota de Macedo Soares.  I'm still overcome by the tragedy (and complex sweetness) of the story.  Maybe Ms. Bishop's words are the only appropriate ones:

One Art

BY ELIZABETH BISHOP
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
Elizabeth Bishop, “One Art” from The Complete Poems 1926-1979. Copyright © 1979, 1983 by Alice Helen Methfessel. Reprinted with the permission of Farrar, Straus & Giroux, LLC.

Source: The Complete Poems 1926-1979 (Farrar, Straus and Giroux, 1983)