After I write my 1500 words tonight, I plan to turn on episode 6 of the second season of "Orange is the New Black," that show everyone's watching from Netflix. I can't imagine you don't know the story (especially if you found my blog because you searched for something "lesbian"), but the short summary is this: Piper Chapman, a white, prudish, WASPy woman engaged to be married to a man is convicted of drug smuggling nine years earlier -- a crime she committed with and for her lesbian girlfriend, Alex Vause. Each episode of "Orange" follows Piper through the corrupt and complex system of a maximum-security women's prison. The show also investigates the stories of other women prisoners, and it holds court on many issues within the culture of a women's prison.
"Orange" also investigates many seldom discussed issues within lesbian culture. When Piper discovers Alex is in the same prison, the passion she feels for her rekindles (after her anger and hurt fade). Does this mean Piper was always lesbian, and that her feelings for her fiance, Larry, are false? Or is it only Alex the person that Piper loves, not all women? In its list of the show's characters, Wikipedia calls Piper "a bisexual woman," but is she? Or has society forced her into compulsory heterosexuality?
Sophia Burset, a transgendered woman in prison for credit card fraud, raises questions about what defines a woman. Formerly a male firefighter, Sophia is easily the most stylish and well-mannered woman in the prison.
Carrie "Big Boo" Black is the "diesel dyke," the butch lesbian who takes pride in her identity as a tough woman with aggressive needs. Feminism has often wanted to dismiss the butch/femme dichotomy as mimicking patriarchy, but butch women like Big Boo argue that it's a valid identity on its own.
Suzanne "Crazy Eyes" Warren is a lesbian who struggles with mental illness, another issue that is often kept hush-hush in the lesbian community. She developed an obsession with Piper in Season 1, which introduced some interesting discussion about race and lesbian relationships, too.
Nicky Nichols is a lesbian and a former drug addict, who has been in a relationship with other women in the prison (and competes with Big Boo at one point to see who can get the most women to orgasm). Her high sex drive and flirtiness challenge the stereotype of the asexual aging lesbian.
Poussey Washington is a comfortably out lesbian who has struggled with acceptance in the greater world (her father, a major in the U.S. Army, was transferred out of Germany because Poussey had a relationship with the base commander's daughter). She's in love with Tastee, her best friend in prison, though Tastee is adamant about her heterosexuality.
What else? Mr. Healy, the prison supervisor, is homophobic. His opinion (and protection of) Piper changes entirely when he suspects her of being lesbian. Some of the inmates are homophobic for some reason or another, like Pensatuckey's religion, or Miss Claudette's cultural upbringing. Piper's fiance Larry (and Piper's mother) seem to hold Piper's lesbianism at nearly the same level of criminality as her involvement in a drug ring. The point: "Orange" is bringing lesbian culture into the spotlight for the greater world.
Then. . . why do I feel vaguely uncomfortable about my love of the show? Because one day, in a conversation with another lesbian, I realized that almost everyone -- lesbians included -- has seen "Orange," but few people have read Jeanette Winterson or watched great lesbian films like "Tipping the Velvet" or "Aimee and Jaguar". "Orange" and Ellen are becoming all people know of lesbians. We're forgetting Adrienne Rich, Joan Nestle, Virginia Woolf, Mary Oliver, Audre Lorde. Culturally, we spend more time thinking about how lesbians interact in prison than how lesbians interact in the greater world. Yikes.
At the top of my flier for the lesbian CR group I'm trying to start in Boulder, I wrote "'Orange is the New Black' isn't all of who we are."
Even though I love "Orange," it's crucial to remember the rest of what being a lesbian means. . .
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